Browsing All Posts published on »December, 2008«

Sabine Ercklentz

December 8, 2008

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Born 1967 in Mönchengladbach, Germany. Studied Law at Freie Universität, Berlin. Graduate from Berlin’s Hanns Eisler University for Music, field of studies: popular music, trumpet. Works as a musician and composer since 1998, mainly in jazz and experimental music. Since 1995: works with trumpet sounds on the borderline between sound and noise. In addition she […]

Tao G. Vrhovec Sambolec

December 8, 2008

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Tao G. Vrhovec Sambolec is a sound artist and musician based in Amsterdam and Ljubljana, working with the invisible ephemeral phenomena on one hand and the notion of space on the other. His artistic practice is a poetic exploration of relationships between transitory and temporal flows like sound and weather phenomena and architectural and social […]

Tomaž Grom

December 8, 2008

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Contrabass player Tomaž Grom based in Ljubljana (Slovenia) has performed in a variety of musical roles. He is classified to the musical miles that draw their expression from acoustic and digitally processed sounds. Playing with the groups Tilt, CPG Impro, Grom & Murayama and also as soloist, he dedicates much time to exploring expanded techniques […]

Utah Kawasaki

December 7, 2008

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Born in Tokyo in 1976. Inspired by his visits to the Paris Peking record shop, Utah Kawasaki began producing music in 1994, and between ’94 and ’95 released so many titles on tape that he himself lost count. In ’96 he released a solo CD on Zero Gravity, a sub-label of Transonic Records. Since then […]

Alfredo Costa Monteiro

December 7, 2008

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Alfredo Costa Monteiro lives and works in Barcelona since 1992. He plays accordion, electric guitar and turntable. In 1992, he finished his studies at the Fine Art School of Paris, where he gets his degree in sculpture / multimedia. Apart of his work as a visual artist, he starts to become involved in improvised music […]

Joel Stern

December 7, 2008

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Joel Stern is a sound artist exploring electroacoustic approaches to composition and free improvisation. He uses field recordings, contact microphones, found objects, digital processing techniques and simple feedback systems to producing works which move between richly textural surface noise, investigations of acoustic space, and minute gestural detail. He has performed solo and collaboratively all throughout […]